‘A Strange Loop’ Review: One Man’s Mind Games Get Funny, Then Wrenching, in Superlative L.A. Take on the Bold Broadway Hit

At some point, if you are enthusiastically trying to get everyone you know in Los Angeles out to see “A Strange Loop” — and anyone who hasn’t should try to, as the production comes to aclose this weekend — you may realize that some of the things you’re touting about the show may be taken by folks you’re evangelizing as reasons not to go. Like, if I tell you that it’s kind of like “Inside Out,” but with a hard R rating, does that read as a recommendation?

It should, but with all of the show’s conceits and wrinkles, it’s difficult to make “A Strange Loop” sounds as good on paper as it turns out to be in execution. I’ll admit that, before ever seeing it produced, I was thrown for a loop, no pun intended, upon looking at the cast list and realizing that Usher, the show’s protagonist, is the only fully human character in the entire 90 minutes, and every other actor in the musical dramedy is playing an idea or a memory in his head, with the rest of the ensemble identified as “Thought 1” through “Thought 6.”

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