A new retrospective of James Lavadour’s work shows how the Native American artist transmutes the rugged land he calls home

“For me,” says artist James Lavadour, “painting is an acquisition of knowledge. I get emotional about what I see and discover, but it’s not an expression of my emotions. My process, I guess, is a transfiguration of nature, taking it from one state into another state, you know, and expanding on that.”

It’s a process and an approach that began when Lavadour, now 75, was still a young man. A pivotal moment, he recalls, came as he was outdoors thinking about the dynamism of water and trying to visualize it. That’s when he spotted a long branch sticking out of a logjam.

“When I held on to the branch, I could feel the vibration of the flow of the water coming up the branch. I realized it was energy, and that was a very enlightening awareness for me because then I started thinking of an artist as an energetic force rather than a representative force of pictures and myths and didactic ideas. It was something else, like music.”…

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