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On a recent Sunday afternoon in a Campbell dance studio, Michille Paulin and Carolina Meneses were busy trying to explain to a group of young kids their roles in a dance routine based on El Calypso de Callao, a festival from Venezuela.
The dancers will wear a lot of gold for the performance, the women tell the children, because the routine celebrates El Callao, a city in Venezuela where people from the Caribbean nation of Trinidad moved to work in gold mines centuries ago.
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