20 Comedians From the 90s Who Aren’t Funny Anymore

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Blast from the Past: 20 Comedians Whose 90s Humor Didn’t Quite Make it to Today

The 1990s-what a time to be alive, especially if you loved stand-up comedy and laugh-out-loud entertainment! That decade gave us a parade of comedians who practically owned our TVs, movie screens, and pop culture conversations.

Some became the defining voices of their generation, while others rode trends that, at the time, seemed absolutely unstoppable. But here’s the thing about humor: it’s a fickle beast.

Looking back, not all those punchlines aged like fine wine. In fact, some of them are a hilarious (or perhaps slightly cringey) reminder of just how fast cultural tastes can flip!

Let’s take a stroll down memory lane and check in with some of those ’90s comedy kings and queens whose acts might feel a little… well, retro today.

1. Pauly Shore

Remember “the Weasel”? Pauly Shore was the undisputed icon of ’90s slacker humor, practically glued to MTV with his chill vibes that spoke to a whole generation.

The problem? His comedy leaned way too hard on era-specific slang and characters so exaggerated they just don’t hit the same anymore.

It was totally rad then, but now it’s like, “Whoa, dude, that’s a bit much.”

2. Andrew Dice Clay

“The Diceman” built his empire on being outrageously provocative and crude. He loved pushing buttons, and boy, did he ever!

Initially, his act caused a stir and sparked controversy, but once the shock value wore off, the edge just wasn’t there anymore. What was once scandalous became, well, just kind of dated.

3. Carrot Top

You couldn’t miss Carrot Top with his wild hair and even wilder props. His visual gags felt super fresh back in the day, but after a while, his act didn’t really evolve. Turns out, a lack of variety can make even the most explosive prop gag feel a little… flat.

4. Dennis Miller

Dennis Miller was the smarty-pants of ’90s comedy, known for packing his routines with cultural and intellectual references. Some folks found him brilliantly sharp, while others just thought he was a bit too self-important and hard to connect with. It’s a fine line between clever and just plain obscure!

5. Rob Schneider

From “Saturday Night Live” to mainstream movies, Rob Schneider was everywhere. But a lot of his characters relied on broad, simple stereotypes that might have worked in the ’90s, but let’s just say they haven’t exactly stood the test of time.

6. Chevy Chase

Chevy Chase was a comedy legend long before the ’90s, but by the time the decade rolled around, his signature physical comedy and sarcastic wit started feeling a little recycled. His reputation was definitely bigger than the originality of his later work.

7. Bobcat Goldthwait

Bobcat Goldthwait burst onto the scene with his famously shrill voice and over-the-top characters. It certainly got attention quickly, but eventually, that same intense approach just wore thin and became a bit much for many viewers.

8. Sam Kinison

Sam Kinison’s loud, aggressive, screaming delivery was a defining moment in comedy history. He was influential, no doubt, but his act relied so heavily on exaggeration that it ended up limiting his long-term appeal. Sometimes, less is more, even when you’re screaming.

9. Emo Philips

Emo Philips stood out with his unique, surreal sense of humor and distinctive voice. He was definitely one-of-a-kind, but his act remained pretty niche and never quite managed to grab lasting mainstream appeal.

10. Jay Mohr

Jay Mohr was a master of impressions and had a strong presence on TV. But over time, his comedy became a bit too tied to a formula that never really got a fresh update.

11. Tom Green

Tom Green was the king of awkward, provocative shock humor, and it felt incredibly fresh and disruptive at the time. It was a short-lived cultural phenomenon, but once audiences got used to the shock factor, much of its impact just faded away. What once felt daring eventually struggled to evolve past its initial novelty.

12. Sinbad

Sinbad was huge with his family-friendly TV shows and an energetic, super-accessible comedic style. He was recognized everywhere, but his brand of humor didn’t quite make the leap as audience tastes shifted in the late ’90s and early 2000s. The broad appeal that made him a household name eventually lost its sparkle.

13. Kathy Griffin

Kathy Griffin’s comedy was all about pop culture references and celebrity gossip. It was incredibly effective in its moment, but that approach is super dependent on timing and trends. As the cultural conversation moved on, her material started feeling stuck in a specific era.

14. Chris Kattan

Best known for his exaggerated physical characters on “Saturday Night Live,” Chris Kattan’s humor thrived in sketch comedy. But outside of that specific environment, relying solely on caricature and overstatement became a tough act to sustain. His comedic style struggled to translate beyond the small screen.

15. Jim Breuer

Jim Breuer’s routines leaned heavily on exaggerated voices and expressive physicality. It was popular for a bit, but his act often felt limited in range over time. Repetition crept in, making it hard to keep that long-term momentum going.

16. Howie Mandel

In the ’90s, Howie Mandel’s comedy was all about chaotic energy and physical performance. But as the years went on, he became more known for hosting TV shows than for his stand-up. His comedic identity slowly took a backseat to his mainstream entertainment success.

17. Yakov Smirnoff

“In America, you can…” Yakov Smirnoff’s humor centered on cultural contrasts tied directly to Cold War tensions.

Once that political and social context faded, much of his material just lost its punch. What once resonated strongly just didn’t feel as relevant in a changed world.

18. Paul Reiser

Paul Reiser hit it big with sitcoms built on simple, relatable observational humor. While charming and widely appealing, this style offered limited innovation in the long run. As comedy evolved, his approach felt comfortable but less distinctive.

19. Rich Hall

Rich Hall was known for his dry sarcasm and sharp irony, which definitely appealed to niche audiences. Despite his intelligence, his reach remained relatively limited. His humor never quite broke through into broader mainstream recognition.

20. Louie Anderson

Louie Anderson’s self-deprecating, family-oriented comedy connected deeply with audiences back in the day. But as edgier comedic voices started to dominate, his style began to feel a bit too gentle by comparison. Cultural shifts moved the spotlight elsewhere.


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