COPENHAGEN.- Idolization is part of human nature, yet the line between admiration and obsession is easily blurred. In Raymond Pettibon’s work, idols emerge not as flawless icons but as complex, often flawed figures enmeshed in the machinery of cultural myth-making. NILS STÆRK is presenting a solo exhibition featuring Raymond Pettibon’s works on paper from the 1980s, where raw ink drawings are paired with cryptic texts to reveal the fractured nature of cultural heroes.